-Gray

Gray skies. Gray interiors. Black-and-white cars. Prefabricated houses.
This is not a city — it’s a system of surfaces.

In its geometry sits a sphinx cat: angular, still, suspended between ornament and survival. She doesn’t belong to nature — she belongs to the grid. Her form echoes the edges of walls, windows, and standardized rooms. She is not wild. She is designed.

Look closer: she doesn’t stare back — she reflects. In her silence, you see your own dependence on structure, your own fragility masked by function. She is not a pet. She is a symptom — of how we’ve traded instinct for infrastructure, autonomy for arrangement.

Minimal in form, maximal in implication: this work asks — what does it mean to exist when survival requires architecture? When life becomes decoration?